Jimmy watches Countdown and tries to ignore his bills, grief, COPD and frailty. Meanwhile, his carer walks a tightrope between kindness and reality
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‘I am so thrilled that the four year nightmare of Trump's presidency will soon be behind us’
MARY HALVORSON talks to Chris Searle about what inspires her music and has a tender word for Robert Wyatt
Mary Halvorson
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JOHN FLINT explores the Appleby Blue development, winner of the Stirling prize 2025
GORDON PARSONS enjoys the wealth of wisdom and the clarity of expression from a dialogue between Chomsky and Mujica
GUILLERMO THOMAS enjoys a survey of the current state of the CIA (aka Langley) from an expert and insider of sorts
MARIA DUARTE, FIONA O CONNOR and JOHN GREEN review The Choral, Belen, Dragonfly, and Colossal Wreck
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
RITA DI SANTO points out the social experience of exploitation and oppression that inform the popular winners at this year’s festival
MARY HALVORSON, born in Boston in 1980, her mother a nurse, her father a landscape architect, has become one of jazz’s prime guitarists.
She began on the guitar at 11 with early influences from Hendrix to the Beatles to Monk, Coltrane, Miles and Ornette, became interested in free improvisation at school and after studying with alto saxophonist Anthony Braxton has been “working as a musician my whole life.”
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