GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Ammonite
MARIA DUARTE is intrigued by the life of Mary Anning, a palaeontologist and fossil collector, whose discoveries were either overlooked or appropriated by her male peers
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Ammonite (15)
Directed by Francis Lee
★★★
AFTER his critically acclaimed and frankly stunning debut feature God’s Own Country, film-maker Francis Lee has turned his sights to one of the unsung heroes of British palaeontology and fossil discovery: Mary Anning.
Rather than a straight biopic, this is an imagined snapshot of Anning’s life in 1840s Lyme Regis and the intense relationship that developed between her and Charlotte Murchison (Saoirase Ronan), a young married woman sent to convalesce by the sea.
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