To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Latest editorial
Culture: A Christmas Carol tuned in to today
Lurking beneath the festive jollity, the RSC's version of the Dickens classic is a salutary reminder of grim present realities, says GORDON PARSONS
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
A Christmas Carol
The Royal Shakespeare Theatre, Stratford-upon-Avon
WITH the latest estimation that over 3.5 million children in Britain are living in poverty, Charles Dickens’s famous Christmas ghost story is a telling choice for the RSC’s seasonal show.
David Edgar’s sharply tweaked adaptation doesn’t need to labour contemporary parallels.
Similar stories
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity