GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Feminist intent, uneven impact
A contemporary interpretation of Jane Eyre doesn't quite hit the mark for SUSAN DARLINGTON
Independent spirit: Dreda Blow as Jane Eyre
[Emma Kauldhar]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Jane Eyre
Leeds Grand Theatre
Touring
THERE have been so many theatrical adaptations of Charlotte Bronte's Jane Eyre that finding a truly original interpretation is no easy task.
Thus it proves with Cathy Marston’s dance theatre production for Northern Ballet, nominated for the South Bank Sky Arts Dance Award last year, which uneasily balances the traditional with the feminist.
Jane Eyre, represented at different ages by Dreda Blow and Antoinette Brooks-Daw, is shown as an independent spirit from the start. With fists clenched and head bowed, she stoically rebels against the cruelties inflicted on her by her aunt Mrs Read and the rigours of Lowood School.
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