New releases from Robert Forster, Self Esteem, and Arve Henriksen
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Italian job well done in Bari
RITA DI SANTO reports on the best of the city's international film festival
Pure Hearts
SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
The bard gives us advance notice of his upcoming medieval K-pop releases
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
DEEP in the hustle and bustle of the port of Bari in southern Italy beats a cosmopolitan heart and at its centre is the Bari international film festival BIFEST, now in its ninth year.
This time round, BIFEST featured the work of directors of the calibre of Gianni Amelio, Marco Bellocchio and Ferzan Ozpetek, alongside rising talents such as Vincenzo Marra, Paolo Sassanelli, Roberta Torre and Roberto De Paolis.
Special events included a concert paying homage to Alberto Trovajoli, one of the great Italian film composers, a restored version of Bernardo Bertolucci’s Last Tango in Paris and a retrospective on maverick director Marco Ferreri.
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