MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Reality bites in gritty dramas from the US to Kurdistan
Girls of the Sun
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
THE STORMY weather in Cannes matched the mood of a number of entries, with Iranian director Jarar Panahi again banned from attending the festival by the Tehran government.
Despite living under house arrest and being forbidden from making films for 20 years following accusations of producing “propaganda,” he has continued to do so and his latest, Three Faces, is a fictional commentary on life in Iran and the country’s cinema legacy, infused with sly humour.
A more forthright political statement came from veteran director Spike Lee. BlacKKKlansman is inspired by the true story of Ron Stallworth, an African-American police officer who managed to successfully infiltrate the Ku Klux Klan and become the head of a local chapter.
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