GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Compelling Cuban constructs from brilliant sound architect
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Aruan Ortiz Trio
Hidden Voices and Cubanism
(Intakt)
ARUAN ORTIZ, who was born into the Cuban world of total music in 1973, spent his boyhood walking through the working class streets of his home city Santiago de Cuba.
There, he experienced popular music, folkloric dance companies, random amateur guitarists, vocalists jamming and singing, choirs, rumba-percussion and Cuban-Haitian groups — all this while simultaneously exposed to European classical music at the local conservatory.
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