ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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‘Man is born free and everywhere he is in chainstores’
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
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GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
THAT headline comes from Jim Greenhalf's declaration in his new book, with an ironic nod to Rousseau. His collection Breakfast at Wetherspoons (Smokestack, £7.99) is a kind of bleak Bradford noir, full of gruff bar-stool wisdom.
“Whose cup spills over?/The emptiest pot makes the loudest din./Clay is stronger when it’s fired,/Flesh is stronger when it’s hired./Look through a glass darkly:/half-empty or half-full?/Some have no glass at all,/others no water,/no country.”
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The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
By Alexis Lykiard