STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Blurred focus
Blake Wood's photographs of the great Amy Winehouse are far from revelatory, says SUSAN DARLINGTON
Amy Winehouse performs during the Oxegen Festival 2008 at the Punchestown Racecourse, Naas, County Kildare, Ireland
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
Amy Winehouse
by Blake Wood
(Taschen, RRP £30)
AMY WINEHOUSE was as well-known for her image as her music when she died in 2011. In this book Blake Wood's aim is to present “the person, not the persona” with these previously unseen photographs of a woman who is nearly unrecognisable when stripped of her rats’ nest beehive and elaborate winged eyeliner.
Aspiring photographer Wood and the Back to Black musician met and became friends in 2008, at a time when she was being hounded by the media and battling with addiction. He hung out with her in London, where they spent time doing handicrafts and making pillowcases out of old T-shirts, giving him the opportunity to catch the singer at her most unguarded and intimate moments.
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