GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Outstanding adaptation brings Lope de Vega's parable of social injustice bang up to date
The Village
[Johan Persson]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
The Village
Theatre Royal Stratford East
IN FUENTEOVEJUNA, Lope de Vegas’s classic Spanish drama of 1619, a community stands together against corruption, tyranny and abuse and April De Angelis’s dynamic blank-verse adaptation transposes the action to modern-day India.
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