Skip to main content
Infinite variety embellishes spellbinding Cleopatra from Sophie Okonedo

Antony and Cleopatra
National Theatre, London

ANY assessment of this absorbing production must begin and end with the breathtaking performance of Sophie Okonedo as Cleopatra.

Capricious, self-obsessed and ever so slightly unhinged, Okonedo’s leading lady is the raging epicentre of the play, forcing others to respond to her earth-shaking movements as she unsettles their equilibrium and undermines the foundations of their best-laid plans.

It’s an emotionally wrought interpretation that reaches a high peak of intensity in the tear-stained, melodramatic final scene, but it’s also punctuated by inspired moments of levity and humour as Okonedo, bringing to life the manipulative fancies that pervade Cleopatra’s character, convincingly switches moods in the blink of an eye.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
(L) Mudlark kneels on a rocky shore, collecting objects; (R) Medieval pilgrim badge. Pics © London Museum
Exhibitions / 22 April 2025
22 April 2025

PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river

POWER-DRESSING: Miriam Grace Edwards as Mary in Mrs Presiden
Theatre Review / 5 February 2025
5 February 2025
PETER MASON applauds a thought-provoking study of the relationship between a grieving woman and her photographer
CONSTRUCTIVISM FOR KIDS: Ballet Shoes at the National Theatr
Theatre Review / 9 December 2024
9 December 2024
PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book
DOUBLE TAKE: Dominic Semwanga and Megan Keaveney as Fes and
Theatre review / 4 December 2024
4 December 2024
PETER MASON reckons the NYT’s production of Shakespeare’s comedy is the pick of the Christmas shows on offer in London 
Similar stories
CONSTRUCTIVISM FOR KIDS: Ballet Shoes at the National Theatr
Theatre Review / 9 December 2024
9 December 2024
PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book
VOLCANIC: David Oyelowo as Coriolanus
Theatre review / 27 September 2024
27 September 2024
PETER MASON relishes a fascinating glimpse into the mind of a complex, troubled individual
COLLECTIVE BARGAINING: The cast of The Grapes of Wrath
Theatre review / 1 August 2024
1 August 2024
PAUL DONOVAN admires a brave attempt to stage John Steinbeck’s epic tale of poverty-stricken 1930s America
TRICKS OF MEMORY: Khalid Abdalla, Eileen Walsh and the Mnemo
Theatre review / 5 July 2024
5 July 2024
WILL STONE gets a little lost in a play about memory that misremembers another production of itself