MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Skin-deep significance
MARY CONWAY recommends an important play on the racism experienced by black people
Bearing witness: ear for eye
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
ear for eye
Royal Court Theatre, London
BLACK is so much more than a colour. It’s a brutal truth that, if your skin is black, the world responds to you with hostility.
And in her new play, ear for eye's writer and director debbie tucker green, in brilliant rainbow hues, shares what it’s like to live within a black skin and to daily face entrenched assumptions that go way beyond prejudice from time immemorial.
A superbly acted ensemble piece, it has all the verbal pyrotechnics and structural precision of a long and vivid poem. Its three-part narrative, more telling in its abandonment of chronological progression, reveals the depth of experience in the moment.
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