JOE GILL speaks to the Palestinian students in Gaza whose testimony is collected in a remarkable anthology
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Visual virtuosity illuminates a Darwin for beginners
Eager: Bradley Foster as Charles Darwin
[Mark Douet]
MARY CONWAY delights in a rarely performed comedy that recalls a Britain we remember in our bones
JEAN ROBERTS appreciates the way traditional panto can be remodelled into critique of the academy schools system
MARY CONWAY is riveted by a superbly crafted glimpse into the soul of a cast-off US star
MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
STEVE ANDREW recommends a lively and often moving guide to once vibrant spaces that have been abandoned or swept away
GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
The Wider Earth
Natural History Museum, London
SHREWSBURY is very proud if its most famous son, Charles Darwin.
A statue of the venerable scientist, replete with magnificent beard, dominates the entrance to the library, a shopping centre has been named in his honour — he'd have been touched, I’m sure — and Quantum Leap, a travesty of municipal sculpture was erected to celebrate the bicentenary of his birth. A lesson, as if one were needed, in the hubris of Tory-dominated local government
So as a native of the town I was quite at home in the opening scenes of David Morton’s play The Wider Earth. In it, Darwin – not the bearded, established naturalist but an eager and bright young graduate in Bradley Foster's characterisation – journeys through the Shropshire countryside in 1831.
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