Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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Best of 2018: Performance
Love letter to theatre: Wise Children
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
THE NATIONAL Theatre production of Stefano Massini’s The Lehman Trilogy, directed by Sam Mendes, was remarkable.
It traces the development of US capitalism through the fortunes of the emigre German-Jewish Lehman brothers, whose mid-19th century enterprise in cotton trading evolved over the next century and a half from a family business, mutually beneficial to farmers and traders, into the ruthless banking empire which collapsed in 2008, throwing the world into financial crisis.
Simon Russell Beale, Ben Miles and Adam Godley are superb. Portraying a gallery of characters, they give the play an intimacy that complements the national and international corporate power-play at the heart of current global chaos. It'll run in the West End from May onwards.
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