GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
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‘It’s high time he got read and enjoyed as he deserves’
Writer and translator DAVID CONSTANTINE talks to Meic Birtwistle about the long overdue publication of Bertolt Brecht's collected poems in English
Comma Press Bertolt Brecht
[Roger and Renate Rossing/Creative Commons]
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
PLAYWRIGHT and poet Bertolt Brecht (1898-1956) is one of the most significant Marxist literary figures of the last century and it seems appropriate that a new translation of his collected poems has just been published at a time when the centenary of the political assassination of Rosa Luxemburg and Karl Liebknecht is being marked.
This massive joint undertaking by David Constantine and Tom Kuhn is a highly welcome contribution to Brecht’s study and enjoyment in English. Salford-born Constantine, a highly regarded poet in his own right, is an award-winning translator and short-story writer and here he answers questions about this major task and the pleasures and pains of translating poetry.
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