GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Refugee drama unwelcome in its ineptness
Stereotypes on stage: Welcome to the UK
[Jose Farinha]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Welcome to the UK
The Bunker Theatre, London
EXPECTATIONS were high for a new theatre piece focusing on the experiences of refugees and asylum-seekers, all too often victims to the vagaries of the Home Office and, at the centre of Welcome to the UK, is a great deal of heart.
The PSYCHEdelight company was set up by writer, director and psychotherapist Sophie NL Besse, who has delivered drama sessions in the Calais Jungle and their first show Borderline drew on real stories from people stuck there in the freezing cold, mud and fear.
And it drew in some real people too — Besse’s company includes refugees and this time round she has worked with the Women for Refugee Women drama group.
Similar stories
![DEFIANT: Dan Daw and Christopher Owen in The Dan Daw Show [Pic: Jess Shurte]](https://dev.morningstaronline.co.uk/sites/default/files/styles/desktop/public/2025-08/crip%20joy%20web%281%29.jpg.webp?itok=OcQcfsb0)
Given the tawdry push and pull around disability benefits, MATTHEW HAWKINS relishes Dan Daw’s defiant celebration of body and sexuality
GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire