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GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Weathering a perfect storm of images
Hito Steyerl's book is a worthy but flawed attempt to mediate the negative visual overload of contemporary culture, says NICK WRIGHT
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Duty Free Art: Art in the Age of Planetary Civil War
Hito Steyerl
(Verso £9.99)
IT’S not always the case that art professionals — artists themselves, critics and connoisseurs, historians and theorists — ground their thought and language in the distinctions, connections and contradictions revealed in a materialist scrutiny of the images that they create, consider or curate.
While the idea that the products of cultural work can be studied and understood independently of the circumstances in which they are produced persists, the very speed and complexity of the contemporary and highly mediated world allows little time for the quiet contemplation of classical beauty.
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