ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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Theatre review: Nothing to lose but their chains
LYNNE WALSH sees an inspirational production celebrating a landmark women's strike
Rousing: Bryony Purdue and Rowan Godel
[Mic Lowe]
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
Rouse, Ye Women!
Touring
TELLING historical truths, driving a drama, involving the audience and providing a damn good night out — it’s a tall order.
But for Townsend Productions, it’s what they do. Their provenance, and their commitment to radical history, has fast become a hallmark. So it proves with this story of Mary Macarthur and the female chainmakers’ strike.
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MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity
TUC Midlands marks 20 years of celebrating the 1910 chainmakers’ victory with a festival that connects historical lessons to modern struggles — because working-class history should inspire action, not just nostalgia, writes STUART RICHARDS