ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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Live Music Review: Laibach
Everyone's favourite tongue-in-cheek totalitarians are as full-on as ever
Great helmsman: Laibach's Milan Fras
[Elekes Andor/Creative Commons]
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
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GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
Laibach
Shepherd's Bush Empire, London
LAIBACH are currently touring off the back of Liberation Day, the acclaimed documentary — or should that be mockumentary? — about the group’s gig in North Korea which made them the first Western band to perform in the country.
The gig in three parts start with a special screening of a film which offers a hugely entertaining window into the various ups and downs the group faced trying to navigate the country’s notoriously bureaucratic systems.
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