ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Carmen
King’s Head Theatre, London
BIZET’S Carmen – an opera which explores the tribulations of its eponymous heroine and the two men who vie for her affections – has been stripped down to its bare essentials in this contemporary retelling by Mary Franklin and Ashley Pearson.
In their version, we first meet Carmen (Ellie Edmonds), a low-paid hospital cleaner on a fag break and Jose (Roger Paterson), also toiling on a zero-hours contract. Swiftly becoming interested in each other, after an altercation with their employer they escape from a life of tedium and hit the road.
Then arrives Escamillio (Dan D’Souza), a strapping Arsenal player who falls for Carmen and sets the proverbial cat among the operatic pigeons.
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power
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