RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
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Sorolla: Spanish Master of Light, National Gallery, London
There are some luminous treasures in an exhibition of work by the leading Spanish impressionist
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
JOAQUIN SOROLLA Y BASTIDA was born in 1863 in Valencia at a turbulent time in Spanish history, when civil wars were raging.
The country’s first republic was briefly established in 1873 and the political and intellectual ferment continued and intensified with the emergence of the “Generation 98” of novelists, poets, essayists and philosophers.
Among its most prominent figures were writers Miguel de Unamuno, who Sorolla painted in 1912, Ramon del Valle-Inclan, Pio Baroja and the poet Antonio Machado.
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