MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
GIVEN the success of Ghost Stories since it first appeared at the Liverpool Playhouse in 2010, it’s surprising that there are so few similar productions haunting the stage these days.
Theatreland, itself ridden with spooky backstage lore, is an ideal environment for the portrayal of creepy goings-on and, on the evidence of this production, ghostly tales also attract that much sought-after younger audience.
The Lyric interior, despite its modern exterior and appearance, is an old venue that has enough of a past to make it a more than worthy host to such a show and there’s no lack of tension throughout, even before proceedings begin.
SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US



