To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
UNFLINCHING descriptions of sex, violence and addiction are less controversial than in the past but writers and publishers remain reluctant to tackle important aspects of human experience. Their refusal to talk about class led the writer James Kelman to accuse the literary establishment of treating people without money as if they should be swept under the carpet.
Lisa Blower lifts that carpet to explore lives deemed superfluous by business, media and government. Her well-rounded and convincing characters have limited choices as they face deprivation, disappointment and a relentless struggle for survival.
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
JOSEPHINE BARBARO welcomes a diverse anthology of experiences by autistic women that amounts to a resounding chorus, demanding to be heard
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change


