LEO BOIX recommends a film that portrays how fascism feeds on ignorance, machismo and myth in isolated communities abandoned by the state
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Letters from Latin America: Literature, poetry and politics
Women writers fearlessly tackle the brutal histories of Brazil and El Salvador, national identity and family conflict
Chris Searle speaks to Syrian/French flautist NAISSAM JALAL
With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
CAROLYN FORCHE’S What You Have Heard Is True (Allen Lane, £25) is an electrifying memoir in which the acclaimed US poet tells how she became an activist in El Salvador during the late 1970s and early 1980s.
Forche’s was a trial by fire. She recounts how, as a 27- year-old poet and young teacher living in southern California, she became involved in El Salvador’s civil war through her contact with Leonel Gomez, nephew of Salvadorian poet Claribel Alegria.
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CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright
When a couple moves in downstairs, gentrification begins with waffles and coffee, and proceeds via horticultural sabotage to legal action