To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Hobson’s Choice
Royal Exchange, Manchester
THIS production of Hobson’s Choice is like no other — and it’s an absolute cracker.
Much of this is down to Tanika Gupta’s clever, slick and very funny adaptation which sets the play in 1988 and relocates the action a couple of miles across the River Irwell to Manchester’s Northern Quarter.
In it, refugee from Idi Amin’s Uganda Hari Hobson has built up a successful tailoring business in Manchester. Despite his high standing in the city’s Asian community, the real brains behind the business is his daughter Durga.
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
PAUL FOLEY welcomes a dramatic account of the men and women involved in the pivotal moment of the 5th Pan African Congress


