Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Letters from Latin America
Continental concerns, from north-east Argentina to the US-Mexican border
Beautifully lyrical: Selva Almada
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
SELVA ALMADA’S debut novel The Wind That Lays Waste (Charco Press, £9.99) is set in the north-eastern region of Argentina, a place of lush rainforests, lowland plains and forested valleys.
It’s a rich and varied region, where the weather reigns supreme — from wet and humid summers and warm winters to extended periods of drought and abundant rain.
That natural environment is the setting for Almada’s book, which begins as Reverend Pearson and his daughter Leni stop at a workshop owned by old mechanic Gringo Bauer and his young son Tapioca after their car breaks down.
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A novel by Argentinian Jorge Consiglio, a personal dictionary by Uruguayan Ida Vitale, and poetry by Mexican Homero Aridjis
LEO BOIX reviews Cuban poet Carlos Pintado; Mexican poet Diana Garza Islas; Mexican American writer and critic Rigoberto Gonzalez; and Brazilian poet Haroldo de Campos
LEO BOIX selects the best books of fiction, poetry, and non-fiction written by Latinx and Latin American authors published this year