ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
ADVERTISING itself as the first British-Vietnamese play to be staged in this country, Tuyen Do’s script is a tightly structured, engaging and effective account of the challenges facing first and second-generation Vietnamese immigrants here.
The real drama, though, is not the racism they face but the tensions between generations. The older generation bears the concealed scars of the Vietnam war and clings to their cultural values, while the young try to deal with traditional parental expectations in a very different world.
Set in an oriental-style house dominated by two sewing machines, initially their only source of income, the family struggles to maintain a Vietnamese identity in an environment beset by financial hardships and social challenges.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
MANJEET RIDON relishes a novel that explores the guilty repressions – and sexual awakenings – of a post-war Dutch bourgeois family
WILL STONE applauds a fine production that endures because its ever-relevant portrait of persecution
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity



