RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
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Confrontational, persuasive, subversive
MICHAL BONCZA recommends a striking collection of images on the state of the Arab world
Mona Hatoum Over My Dead Body, 2005 (left) and (right) Batoul S’Himi World Under Pressure, 2012
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
GENERAL Vo Nguyen Giap, who masterminded the Vietnamese wars of liberation against both the French and the US, was fond of saying that his most reliable re-supply of weapons always came from his enemies.
Those words spring to mind while paging through the book Arabicity: Contemporary Arab Art— it is exactly what most of these Arab artists have done.
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In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
Read Sisters, the journal of the National Assembly Of Women, below.
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces