GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Confrontational, persuasive, subversive
MICHAL BONCZA recommends a striking collection of images on the state of the Arab world
Mona Hatoum Over My Dead Body, 2005 (left) and (right) Batoul S’Himi World Under Pressure, 2012
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
GENERAL Vo Nguyen Giap, who masterminded the Vietnamese wars of liberation against both the French and the US, was fond of saying that his most reliable re-supply of weapons always came from his enemies.
Those words spring to mind while paging through the book Arabicity: Contemporary Arab Art— it is exactly what most of these Arab artists have done.
Similar stories
Peter Mitchell's photography reveals a poetic relationship with Leeds
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
JESSICA WIDNER explores how the twin themes of violence and love run through the novels of South Korean Nobel prize-winner Han Kang