STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Alan Wilkinson and the Akodo Quartet, Cafe Oto, London
Elemental: Alan Wilkinson
[Cafe Oto]
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MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
VETERAN virtuoso of the baritone saxophone, Alan Wilkinson is a scintillating improvising free jazzer and at Cafe Oto he's joined by three young Norwegians in the Akodo Quartet — bassist Ola Hoyer, drummer Dag Erik Knedal Anderson and Kim Johanneson on guitar and banjo.
The elemental power of Wilkinson’s saxophone is like nothing else in European jazz.
His opening colloquy with Johanneson’s chinking guitar reveals the sheer potency of a sound which growls, snarls and wails at his top register and plunges down into the lower depths of his horn in an instant, making height and profundity all of one sonic place.
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