To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Reasons to Stay Alive, Bristol Old Vic
Stylish and often amusing exploration of one man's battle with depression
Mike Noble and Dilek Rose in Reasons to Stay Alive.
[Johan Persson]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
MATT HAIG’S best-selling book gets an assured adaptation for the stage by April De Angelis in this production, during which The Older Matt (Phil Cheadle) acts as commentator, calmly taking us through the Younger Matt’s darkest days and gradual emergence from suicidal thoughts and hopelessness.
As the physical incarnation of the voice in his younger self’s head, he’s able to supply the insight to continue living that friends and family cannot.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today