STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Daughterhood, Theatre Royal Stratford East
Real people living real lives the focus as two women cope with the ties that bind
From the grassroots: Charlotte Bate and Charlotte O’Leary
[Rebecca Need-Menear]
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
ROUNDABOUT, the brainchild of highly admired theatre company Paines Plough, is not only a touring company but a portable theatre-in-the-round which can be erected in the remotest of places.
It is currently in situ right under the walls of the Theatre Royal Stratford East and Daughterhood is just one piece in its repertoire.
At first “Sisterhood” would seem a better title, for it’s about the relationship between two sisters. But then we see how the pair are forever locked into the roles created for them by their parents and perceptions change.
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