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GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Under Three Moons, Carriageworks Theatre Leeds/Touring
Effectively understated exploration of male friendship
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
UNDER Three Moons manages to sum up half a lifetime in just three names: Mikey, Mike and Michael.
Low-key: Darren Kuppan and Kyle Rowe (Pic: Alex Mead/Decoy Media)
Mikey, introduced as a loud-mouthed and fidgety teenager on a school trip to France, sits in the cold with the jittery Paul, with his attempts to apologise for a night-time prank hampered by stale notions of masculinity.
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This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII