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Olafur Arnalds presents OPIA, Southbank Centre London
Mesmerising music from Olafur Arnalds and string supremos
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
ICELANDIC modern classical composer Olafur Arnalds is a multi-talented artist who seems to have tried his hand with most things, including drumming for metal bands and composing film scores, most famously for the ITV series Broadchurch.
His festival OPIA at the Royal Festival Hall and Queen Elizabeth Hall brings together a string of groundbreaking piano-based composers for one long night only.
One of the most compelling, Rhye, sees Canadian singer Mike Milosh team up with his track-suited pal Quincy for an entirely improvised set on two pianos, complemented by Milosh's incredible falsetto.
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WILL STONE witnesses an experimental piano concerto inspired by the work of a young Jewish victim of the Nazis
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
SIMON DUFF immerses himself in the Kings Place D&B soundscape to relish a contemporary string quartet