STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Orphee, London Coliseum
Classic Cocteau film gets trademark treatment from Philip Glass
Jennifer France (right) as death
[Catherine Ashmore]
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
THE fourth and final staging of ENO's ambitious Orpheus Series is arguably the most anticipated yet.
When ENO last staged Glass, with Phelim McDermott’s production of Akhnaten earlier this year, it was a resounding success and is currently enjoying a run at New York's Metropolitan Opera House.
However its first three operas about the Orpheus legend have had mixed reviews with empty seats prompting ENO to sell tickets at half price.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power
DAVID NICHOLSON welcomes an overdue revival of WNO’s classic production, complete with protests against cuts
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE