GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Crime fiction round-up: January 7, 2020
MAT COWARD reviews the latest from Christine Poulson, Mark McCrum, Mark Douglas-Home and Riku Onda
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
A LABORATORY on a tidal island off the Devon coast is doing vital research into the mechanism by which viruses can jump from one species to another in An Air That Kills by Christine Poulson (Lion Hudson, £8.99). With the next major flu pandemic widely considered inevitable, this work could potentially save millions of human lives.
But there’s a problem. For some reason, staff turnover is worryingly rapid and medical researcher and reluctant whistleblower Katie Flanagan is persuaded to go undercover at the lab. She hasn’t been there long before a tragedy occurs. Coincidence, or something more sinister?
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MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright