To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Letters from Latin America
Reviews of fiction by Jorge Consiglio, poetry by Arturo Desimone and Argentinian dramatists
Arturo Desimon
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
MID-LIFE crises and relationship breakdowns can lead to unexpected places and they loom large in Fate (Charco Press, £9.99), the fifth book from Argentinean writer Jorge Consiglio.
In his novel, three individuals are undergoing a critical moment in their lives. Meteorologist Marina, her oboist husband Carl and son live in central Buenos Aires but when she travels to the province of Chaco on a work trip, she shares a room with a fellow scientist with whom eventually ends up having an affair.
Meanwhile, in another area of Buenos Aires, successful taxidermist Amer enrols in a self-help group for smokers who want to quit, where he meets the much younger Clara and begins a relationship with her.
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