MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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Geoffrey Clarke: Intuitionism, Pangolin London
Prints leave their mark on outstanding representations of the extraordinary in the ordinary
INTUITIVE: Two troughs and flat bar, 1964
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
PANGOLIN’S curating is exceptional and the decision to present the work of the sculptor Geoffrey Clarke predominantly through his prints is a gamble that pays off handsomely.
Contextualising Clarke’s work from the 1950s to the 1990s, it’s an inspired selection that demonstrates his formal and thematic concerns over decades.
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MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray
Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny
