MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

MIKE BARTLETT'S opening play in Hampstead Theatre's short season of free weekly online productions owes much to Pinter's comedies of menace, with their characteristic mixture of humour, mystery and lurking fear.
Like The Dumb Waiter, originally planned for Hampstead's main theatre programme — now postponed — Wild is set initially in a recognisable social context, with the plot progressively leaving the target character bewildered and unhinged.
Michael, played by Jack Farthing, is a somewhat naive Edward Snowden-type whistleblower who, having leaked a massive stash of incriminating Pentagon documents, is on the run.

GORDON PARSONS is riveted by a translation of Shakespeare’s tragedy into joyous comedy set in a southern black homestead

GORDON PARSONS is enthralled by an erudite and entertaining account of where the language we speak came from

GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience

GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy