GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
MY CONSUMPTION of media this week has been irregular and random, a thing of shreds and patches.
I limit corona coverage and won’t watch junk, which rules out most TV — except for Devs on BBC2, excellent. I concentrate instead on live streaming and the feeling of collective consciousness, singling out a play reading of Somebody Else by Jonathan Chadwick.
With actors Laura Lake Adebisi and Ruth Lass, it’s about the relationship between a refugee and her helper, and it has great emotional truth as each actor zooms in at us, as if we were the other character.
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging



