ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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The Desi Lockdown, Rifco Theatre
Engaging South-Asian response to the pandemic
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
FOR reasons good, tragic or indifferent, the coronavirus lockdown will be a period not many people will forget.
As a future aide memoire, touring company Rifco Theatre, usually based at Watford’s Palace Theatre, have commissioned a quintet of videos to document the diverse experiences of British South-Asian artists during these most unusual of months.
Harry Syed’s film is arguably the most cinematic. Clocking in at just over 80 seconds, Thanks Mum is a witty rumination on the relationship between growing up and food.
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