Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Neither here nor there
Two accomplished collections from Grace Nichols and Louisa Adjoa Parker explore what it means to live between two worlds
VIVIDLY DESCRIPTIVE: Louisa Adjoa Parker
[Maisie Hill]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
GRACE NICHOLS’ beautiful new collection Passport to Here and There (Bloodaxe, £9.95) is a kind of autobiography in verse.
The first part is about growing up in Guyana, where Nichols meets the ghost of her childhood, “running/with slipping shoulder-straps/and half-plaited hair/beside a brown expanse/of memorising water/and the mellow faces of wooden houses/half-hidden by a weave/of coconut, mango, guenip trees.”
There are some perfect poems here about adolescence, notably Confirmation, Spirit Rising and Sweet Fifteen: “If the leaves of my memory serve me — /That was the year my hair went beehive/the year of the kiss, touching smugly/in the mirror my bee-stung lips.”
Similar stories
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
by Uzmah Ali
RUTH AYLETT reviews two books of poetry, one by the Iranian American Marjorie Lofti, the other by the British Lebanese Omar Sabbagh
MEIC BIRTWHISTLE speaks to David Constantine about the fascination he shares with Brecht for the material exactness of Greek poetry