GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
GRACE NICHOLS’ beautiful new collection Passport to Here and There (Bloodaxe, £9.95) is a kind of autobiography in verse.
The first part is about growing up in Guyana, where Nichols meets the ghost of her childhood, “running/with slipping shoulder-straps/and half-plaited hair/beside a brown expanse/of memorising water/and the mellow faces of wooden houses/half-hidden by a weave/of coconut, mango, guenip trees.”
There are some perfect poems here about adolescence, notably Confirmation, Spirit Rising and Sweet Fifteen: “If the leaves of my memory serve me — /That was the year my hair went beehive/the year of the kiss, touching smugly/in the mirror my bee-stung lips.”
PETER MASON welcomes collected writings from Britain’s first black female publisher that focus on the place of black writers in literature
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
GORDON PARSONS is enthralled by an erudite and entertaining account of where the language we speak came from



