GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
100 Posters that Changed the World
GRANDIOSE marketing statements, like the claim contained in the title of this book, might invite disappointment from the discerning reader as inevitably more than a few posters included may not live up to the hype.
And, as is the case here, many classics are notable by their absence — Atelier Populaire, Rosta posters, Gustav Klutsis and Polish film and theatre posters among them.
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