To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Latin American literature with Leo Boix
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Among the best fiction from Latin America this year, Dead Girls by Argentinean Selva Almada (Charco Press) deserves a special mention as being one of the most powerful and necessary. This is an incisive book that deals head-on with the tragedy of femicides in Latin American by recounting the killings of three teenage girls in the interior of Argentina in the 1980s.
The Book of Emma Reyes, by Colombian artist and writer Emma Reyes (Weidenfeld & Nicolson), is another highlight. An instant classic, the book includes 23 beautifully written letters by the author, who recounts the moving story of a Colombian girl trying to survive extreme poverty, violence, class prejudice and years of abuse in a exploitative and cruel Catholic convent.
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ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
