GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Albums with Ian Sinclair
DAMN GOOD: Bob Dylan
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
RELEASED online in March, Bob Dylan’s 17-minute Murder Most Foul felt, in some strange way, in close step with our difficult times.
Ostensibly about the 1963 assassination of John F Kennedy, the monumental song ominously unspools like a slow-paced American Pie, with the now 79-year old mesmerisingly listing popular 20th-century artists and hit songs.
This extraordinary track closes his new album Rough and Rowdy Ways (Columbia), which was pretty damn good too. Perhaps rejuvenated by his previous five records of American standards, highlights include I've Made Up My Mind to Give Myself to You and the nine-minute Key West (Philosopher Pirate).
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