Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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John Mayall: The Next Generation
Treasure trove of Britain’s blues history is a testament to a pioneer’s genius and longevity
(Left) From The Beano Album photo shoot: (L to R) John Mayall, Eric Clapton, John McVie, Hughie Flint; (right) album cover
[UMG Records]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
THE Godfather of the British blues John Mayall turned 87 recently and a new 35-CD box set is out featuring every album he recorded between 1964 and 1974, plus some fantastic extras.
Born in Macclesfield in 1933, he discovered the blues from his father’s 78rpm record collection of Leadbelly and boogie pianists such as Albert Ammons.
After national service in Korea, where he played in small jazz combo, he returned to Manchester and began playing rhythm and blues with The Blues Syndicate.
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A New Awakening: Adventures In British Jazz 1966 - 1971, G3, and Buck Owens
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SIMON DUFF is transported by the sweetly seductive tones of experimental guitarist Pat Metheny