GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Requiem for free musical movement
At 11pm on December 31, an important part of my life in the form I choose to live it came to an end
Hamburg's FC St Pauli fans unfurl a banner in solidarity with Attila the Stockbroker
[St Pauli FC]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
BEFORE 1992 and open borders I always toured mainland Europe solo as a poet and acoustic performer, although I had long thought of forming a band to play my songs.
My experiences crossing borders with other bands — the ludicrous, petty nonsense to which we were subjected for no good reason whatsoever, simply because we were punk musicians — meant that I stuck to my solo poems and songs and the minimal, though constant, nonsense I experienced travelling alone with a hand-held mandola and a rucksack full of merch.
The irony about border checks is that I have never taken illegal drugs. I have never smoked and hate pills and injections. I prefer beer.
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