To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Tales from the Front Line
Resonant accounts of the impact of the pandemic on the black community
FRUSTRATED: Kwame Bentil in Railway Worker
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
TALAWA, Britain’s leading black theatre company, have released their third and fourth short dramatised monologues based on verbatim interviews with black key workers on the front line of the Covid crisis.
We hear the daily experiences of a railway worker and a part-time supermarket assistant, and their tales make for interesting comparisons and contrasts.
The good-humoured demeanour of Kwame Bentil’s middle-aged train despatch worker conceals a thinly veiled frustrated anger at the behaviour of many of the station travellers he meets.
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For generations black women have shaped Britain’s activism, arts and public life despite exclusion and discrimination. ZITA HOLBOURNE pays tribute to these political trailblazers and cultural icons, whose courage continues to inspire
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
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