STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
The Language of Kindness
Warwick Arts Centre/Touring
THERE’S an undeniable chemistry in the live theatre experience, even in a space necessarily less than half full and the audience socially distanced, which no online performance can hope to capture.
And it would be difficult to imagine a more currently appropriate play to mark a return to the stage than Sasha Milavic Davies and James Yeatman’s adaptation of Christie Watson’s acclaimed account of her long nursing career.
The Language of Kindness for Wayward Productions recounts the exhausting and exhaustive life of a hospital nurse from rookie days, learning and surviving the realities of the ward world, to senior nurse. With responsibilities for lives and deaths as demanding practically and, more so, emotionally than that of the doctors, she brilliantly overcomes obvious hurdles.
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity
In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal
GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare



