GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Equestrian sculptures of Manuel Rodriguez in Chile and Jose Gervasio Artigas in Uruguay
Innovatory tributes to leaders of popular rebellions
(L to R) Manuel Rodriguez; Jose Gervasio Artigas
[Kees van Tilburg/equestrianstatue.org]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
WHILE equestrian statues are probably the most ubiquitous of all public monuments in Western towns and cities, their aesthetics are predictably formulaic.
Three or four standard formats are replicated ad nauseam and most are offensive examples of wars waged by the rapacious elites of any given country.
Roman emperor-philosopher Marcus Aurelius, whose 2,000-year-old equestrian statue is the oldest complete one in existence, is without armour or weapons as befits a supposed bringer of peace.
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JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
For the first time in years, the dominant voice within Chile’s official left comes not from neoliberal centrists but from the world of labour, writes LEONEL POBLETE CODUTTI
