GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Letters From Latin America
Review of fiction by Uruguayan writers Ida Vitale and Fernanda Trias
(L to R) Ida Vitale and Fernanda Trias
[(L to R) Pdx123/Creative Commons; Charco Press]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
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JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
BYOBU (Charco Press, £9.99) is a puzzling book by the Uruguayan poet Ida Vitale (b1923), a member of the acclaimed Generation of ’45 and winner of one the most important literary distinctions in the Spanish language, the Cervantes Prize.
It is Vitale’s first book of prose to be published in English and has been superbly translated by Sean Manning. It could be read as an experimental novel, an essayistic notebook or as a series of concatenated aphorisms.
But it is also a book of poetry written in prose, where the main character, the elusive Byobu, navigates a tantalising world woven through by many strange and playful stories.
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